INT. BACKSTAGE – NIGHT
Hamlet opens the door to the player’s dressing room. We see a beautiful naked female ass from Hamlet’s POV. When the actress turns around, we see that she has a cock. Hamlet is surprised. The other players laugh. Hamlet speaks to the players as though they are children. Throughout the speech, they react by over-enthusiastic head-nodding and overdone gestures. As he talks to them, the players change from their hospital type gowns into very tightly wrapped gauze and violent, strange clownish make-up.
Speak the speech, I pray you, as I pronounced it to
you, trippingly on the tongue: but if you mouth it,
as many of your players do, I had as lief the
town-crier spoke my lines. Nor do not saw the air
too much with your hand, thus, but use all gently;
for in the very torrent, tempest, and, as I may say,
the whirlwind of passion, you must acquire and beget
a temperance that may give it smoothness. O, it
offends me to the soul to hear a robustious
periwig-pated fellow tear a passion to tatters, to
very rags, to split the ears of the groundlings, who
for the most part are capable of nothing but
inexplicable dumbshows and noise: I would have such
a fellow whipped ---
The players howl and moan in terror.
Pray you, avoid it. Hold the mirror up to nature, show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
The clown is very nervous until Hamlet smiles and pats him on the head.
Go, make you ready.
INT. OPHELIA’S ROOM SAME
Ophelia is being encased in a metal bustier by servant women as Polonius supervises and attends to details.
INT. GERTRUDE’S ROOM SAME
INT. BACKSTAGE SAME
Hamlet demonstrates to the players how to put the poison in the ear of the King.
The montage speeds up
Servants apply make-up and work on Ophelia’s hands and details of her dress.
Hamlet builds his poisoning demonstration to a point that frightens even the players by its intensity.
INT. THRONE ROOM - NIGHT
The stage where the play will take place seen from Hamlet’s POV as he makes sure that everything is all right. Claudius gets his attention.
KING CLAUDIUS
How fares our cousin Hamlet?
How fares our cousin Hamlet?
Excellent, i' faith; of the chameleon's dish: I eat the air, promise-crammed: you cannot feed capons so.
KING CLAUDIUS
I have nothing with this answer, Hamlet.
QUEEN GERTRUDEI have nothing with this answer, Hamlet.
Come hither, my dear Hamlet, sit by me.
HAMLET
No, good mother, here's metal more attractive.
No, good mother, here's metal more attractive.
LORD POLONIUS (To KING CLAUDIUS)
O, ho! Do you mark that?
HAMLET O, ho! Do you mark that?
Lady, shall I lie in your lap?
Lying down at Ophelia's feet
OPHELIA
No, my lord.
No, my lord.
HAMLET
I mean, my head upon your lap?
I mean, my head upon your lap?
OPHELIA
Ay, my lord.
HAMLET Ay, my lord.
Do you think I meant country matters?
OPHELIA
I think nothing, my lord.
I think nothing, my lord.
HAMLET
That's a fair thought to lie between maids' legs.
That's a fair thought to lie between maids' legs.
What is, my lord?
HAMLET
Nothing.
Nothing.
OPHELIA
You are merry, my lord.
You are merry, my lord.
Who, I?
OPHELIA
Ay, my lord.
Ay, my lord.
O God, your only jig-maker. What should a man do
but be merry? for, look you, how cheerfully my
mother looks, and my father died within these two hours.
Nay, 'tis twice two months, my lord.
So long? Nay, then, let the devil wear black, for
Then there's hope a great man's memory may outlive his life half a year.
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